Rosé’s recounting of the undoing of this relationship feels distant: There’s a “we,” an “us,” and an “I” accompanied by a “you,” but no real assertion of her own point of view, whether in the context of her persona Rosé or as 27-year-old Rosie. Compare this to her work with BLACKPINK; on “Lovesick Girls,” she sang, between Korean and English: “Love is slippin’ and fallin’/Love is killin’ your darlin’,” balancing the experience of joy and pain. In trying to live up to the “personal album” trope, rosie opts to explore rather than define, and the emotional grooves are polished smooth. Whether you’re a new fan or a devoted Blink (as BLACKPINK fans are known), you’re likely to feel left cold.

뭔 개소리야
사운드나 프로덕션이 아쉽다는 것도 아니고